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“Right from the get-go Daft Punk presume that you take them to be the game changing serious artists by positing that they are the music of your life and that listening to them gives life back to music. This idea of “life” returning to a world of cold machinery shows up again on “Touch”, an eight minute long bloated prog rock suite in which Paul Williams speak-sings from the perspective of a robot regaining his ability to feel. It’s not too much of a stretch to imagine all of this as a statement about Daft Punk returning to teach the current EDM scene about “real” music, even recruiting Giorgio Moroder to give a history lesson over bubbling analog synthesizer arpeggios. As much as I hate to admit it, this elitist agenda does allow the record to sound incredibly pristine. Sonically, this album is nearly perfect. Every detail is immediate and has a well-defined place in the mix, and even when the arrangements get busy like on “Motherboard”, there’s still an alarming degree of clarity.”
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